KIM DORLAND: PAINTING THE GHOSTS WE CARRY

There's a certain cadence to Kim Dorland's voice—a rhythm that speaks of survival and a life lived on the edge of things. It’s the cadence of someone who has seen existence from the margins, where he grew up amidst a backdrop he calls abject poverty. Kim doesn’t sugarcoat his beginnings. He doesn’t need to. The harsh, unvarnished reality of his youth forms the very canvas upon which his art is laid bare.

As we close out our second season, we bring you a conversation that cuts through the noise. In an art scene that can often feel overly refined to the point of sterility, Kim’s work stands apart, unapologetically visceral. His paintings live in a space between abstraction and representation, navigating a terrain that defies neat categorization. He isn’t chasing beauty; rather, his work grapples with the uneasy tensions between love and loss, between the remnants of grief and the haunting echoes of his past.

As he prepares for his upcoming exhibition, "Nothing is good anymore," opening on September 14th, 2024, at Patel Brown Gallery in Toronto, you get the sense that this show is different. The paintings are stripped down, drained of colour. They reflect his current preoccupation with grief, but Kim doesn’t dwell in sadness—he confronts it, stares it down, and in doing so, discovers an unexpected kind of beauty.

You can find Kim’s work at Patel Brown Gallery, Equinox Gallery in Vancouver, and on his Instagram.

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Photos copyright of artist.